Paradise Lost by John Milton Essay Example for Free

Paradise Lost by John Milton Essay1 Language has the competency to list sin look attractive Tis Pity was promulgated by John Ford in 1633 and is set in Italy, the heart of the Renassiance. John Milton published Paradise Lost in 1667, relatively soon after John Ford, and was the first epic poem to be written in blank verse. both writers push the boundaries of literature by exploring untouched, taboo subjects incest and The Fall of Man. During this period of time, soon after the Renassiance period, many artists and writers were challenging society by introducing a range of various styles and genres. This meant that Ford and Milton both intended to tempt controversy through their pieces of literature yet, the enticing choice of language has instead caused an attractiveness to both texts. It is this attraction to the language, and lecture skill behind these writers objectives, that has enabled both texts to withstand the test of time. In Book Nine of Paradise Lost, Milton beg ins to introduce match as the Serpent however, he manages to decease the audience a course from daimons intentions by presenting his physical beauty.As the Serpent Addressed his way towards Eve, with the desire to cause corruption, he moves not with intended wave. Instead, he towers fould preceding(prenominal) fould a surging Maze, with the colours of Verdant Gold. By giving the Serpent distinct characteristics, he is separating him from the other creatures in the Garden of Eden, therefore drawing Eves caution to his uniqueness. The repetition of fould above fould gives the sense of an illusion, something which Eves eyesight is unable to comprehend which is then reinforced by surging Maze, giving this illusion speed and power, causing a greater confusion on Eves behalf. The vivid description of verdant Gold gives the Serpent a very rich colouring, thus reiterating his importance in the Garden. When Satan finally decides to confront Eve, he becomes erect, giving himself a sense of empowerment. This is when Miltons narration confirms the beauty of his language, as he mentions how pleasing was his shape / and lovely. For an audience, this outside interpretation most gives a sense of comfort, as they too atomic number 18 lost in his physical beauty. Finally, as the Serpent begins to speak, his ability to compliment and seduce enables him to make his way into the heart of Eve.There are clear similarites between Satan in Paradise Lost and Vasques in Tis Pity both have a masterful use of rhetoric. As Vasque elbow greases to gather information from Putana, he mentions how her by proving themselvesto be devoted to these women, they are appealing to their naivity and giving a false sense of trust. Their seductive use of language causes them to become impassioned, as they begin to realise their ability to attract these women. The absence and withdrawal of language in both texts is equally as attractive to an audience. In Paradise Lost Book Nine, the pivotal poi nt when Eve eats the Forbidden Fruit is simply expressed in quadruple words, she plucked, she eat. The use of these monosyllables reinforces how emphasis can be achieved through simplicity. Extending on this further, Miltons constant elaboration and care to detail is designedly dismissed here to send an notwithstanding greater message to his audience mankind cannot blame Eve for causing the Fall as she simply ate the fruit. By refusing to focus on Eves close to eat the Fruit, he is daringly challenging conventional views that women are the only cause of sin. John Ford in Tis Pity has a similar intention through his portrayal of Hippolyta her refusal to be silenced goes against the view of womens inferiority.This is achieved in Act Two Scene two, as she powerfully enters with Tis I. These two words are separate from the rest of her speech in order to hold suspense and give her a greater presence on stage. Fords intention is for the audience to instantly be drawn to her in prepar ation for her criticism towards Soranzo. As both Ford and Milton are so skilled in writing attractively and deliberately trying to engage an audience, it is even more effective when they suddenly withdraw the audience become responsible in using their own imagination, in attempt to understand the message these writers intend to express. In Tis Pity, the most effective use of language is through convincing an audience that Giovanni and Annabella have a natural, loving relationship. In Act One Scene Two, when Giovanni admits his love for Annabella and she responds evenly, he ends the scene with After so many tears as we have wept, lets learn to court in smiles, to kiss and sleep.Finally Giovanni is no longer impassioned, I have too long suppressed the hidden flames, and is instead able to appreciate the natural rawness of their love. non only that, but by referring to their ability to weep, smile, kiss and sleep, he is expressing emotions which audiences are able to relate to proving that their relationship isnt as unnatural as first assumed. During this crabbed moment, the audience become so engaged in the text that they forget about the theme of incest and instead support thepurity of their relationship. John Miltons depiction of Satan creates a similar sense of curiosity into the ability to sympathise with him. This is highlighted when he observes Eve for the first time and becomes of enmitie disarmd/ of guile, of hate, of envie, of revenge.The repetition of guile, hate, envie, revenge proves how Satan is gradually striped of his emotions associated with evil, and is instead left vulnerable through his admiration. The power of Eves beauty forces him to become abstracted from his own evil, thus demonstrating the ability to respond humanely. During this moment, Milton is allowing the audience the opportunity to make their own viewpoint of Satan isolated from the conventional, one-dimensial presentation of him. The beauty of both texts is not caused by convin cing the audience that sin is attractive, but instead force them into sympathising, admiring and simply enjoying pieces of literature beyond expectation.